前身是皇軍軍港的吳港,戰後(📒)成為船塢工人的生活煉(làn )獄(yù )(🛍)。在資本家剝削和枯(kū )(🎹)燥(zào )生(shēng )活的雙(🌰)重(chóng )煎熬(áo )下,躁動的(de )年輕(qīng )生(shēng )(🌫)命,一頭栽進(jìn )暴(🏇)力漩(📼)渦,延(yán )(🖲)擱成長(zhǎng ),終日(🎩)在打(dǎ )鬥(dòu )、賭博、酗酒(jiǔ )中尋找暫(zàn )時(🚉)的麻醉(🐖)。吉田喜(xǐ )重通(tōng )過(🗑)工頭之眼(🙁),對不合(🚑)理(lǐ )的社(🕕)會現實作出(🔊)欲迎還(hái )拒的批判,被視為日(🚨)本新浪(làng )潮代表(biǎo )作之一(🌑)。香山美(🥎)子(zǐ )飾演純(🙂)真的酒館女待(dài )(🙌),同(🤸)情工(gōng )人卻慘被強姦,正與負的能量(🤷),在大時代中比(⛳)拼互滲,可有超(chāo )越對與錯,是(shì )與(🤖)非的位置?片末(🈁)火車站送別(bié )一場,在家和社會之(😊)間(🈸),吉田(🐛)喜重作(🐨)出(👪)了左翼的選擇。 One of the key films ushering in the Shochiku New Wave era, this raw tale of migrant laborers at a post-war naval base simmers with youthful outrage. Responsible shipyard worker Shimazaki (Hayakawa) is put in charge of new recruits from Osaka. The immature gang quickly finds trouble drinking, gambling, and fighting, and eventually trespassing against what Shimazaki holds most dear - local bargirl Nobu. Revenge, honor, and loyalty are all called into question. Yoshida's groundbreaking film portrayed real social issues in an unromantic light, and paved the way for all the cinematic roughs to come. - SummerIFF 2007
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